This blog will keep you informed about the "outer space" series:
02 October, 2017
Michael took pictures of the world´s largest telescope in China
China built this staggeringly large instrument called the “Five hundred-meter Aperture Spherical Telescope” (FAST) in the remote and hardly accessible southern, mountainous region of the country. Inaugurated in 2016, the telescope was constructed in a natural sinkhole surrounded by the unique mountains of the Pingtang valley. The telescope has an incedible diameter of 500 m. The surface is made of 4450 triangular metal panels building the form of a geodesic dome. It can be tilted by a computer to change the focus on different areas in the Universe. Radio telescopes use a large, parabolic dish to collect radio waves from distant sources, such as pulsars, black holes and gravitational waves. However one of the main objectives of the instrument is detecting interstellar communication signals – finding signals from alien civilisations.
Michael was privileged to be given a unique opportunity to portrait this extraordinary astronomical instrument.
20 September, 2017
Michael´s work now on view at the 7th Moscow Biennale 2017
The 7th International Moscow Biennale 2017, curated by Yuko Hasegawa, has opened this week at the world famous State Tretyakov Gallery in Moscow. The concept of the main exhibition Clouds⇄Forests focuses on a new ecosystem formed through the circulation of "Cloud Tribes" born in the cloud, and "Forest Tribes" born in an analogue world. Michael Najjar exhibits several large-scale pieces from his celebrated "outer space" series.
Nadim Abbas, Adel Abidin, Nindityo Adipurnomo, Farah Atassi, Kanako Azuma, Matthew Barney, Natalia Bazowska, Bahar Behbahani, Björk, Hussein Chalayan, Revital Cohen & Tuur Van Balen, Alexandra Daisy Ginsberg, Rohini Devasher, Louise Drulhe, Olafur Eliasson, Justine Emard & Mirai Moriyama, Cécile B. Evans, Ilya Fedotov-Fedorov, Valia Fetisov, "Forensic Architecture", Theaster Gates, Gauri Gill, Marta Gornicka, Alina Gutkina, Joey Holder, Elliott Hundley, Pierre Huyghe, Ali Kazma, Nile Koetting, Siji Krishnan, Alexey Martins, Mathieu Merlet-Briand, Marie-Luce Nadal, Michael Najjar, Koji Nakazono, Dashi Namdakov, Uriel Orlow, Anastasia Potemkina, Laure Prouvost, Aurora Sander, Susan Schuppli, Sayaka Shimada, Wieki Somers, Yuken Teruya, Sissel Tolaas, Michael Tolmachev, Ryan Trecartin, Hanna Tuulikki, Alexander Vinogradov and Vladimir Dubossarsky, "Where Dogs Run", Robert Zhao Renhui, Marina Zurkow.
Special thanks to Yuko Hasegawa and her team
And to Wemhöner Collection
Michael participates at the 7th Moscow Biennale 2017
The 7th International Moscow Biennale 2017 is curated by Yuko Hasegawa, one of the most influential and notable curators in the international art world. The main exhibition entitled “Clouds ⇄ Forests“ is a proposition in a time of crisis that calls for the establishment of new relationships in our world. The concept puts the spotlight on artists as a creative tribe who transition, expand and dissipate from forest to cloud, rebuilding the subjectivity of spectators and demonstrating that creativity is essential to the creation of new environmental spheres.
Michael Najjar has been invited to participate at the Biennale with several large-scale artworks from his celebrated “outer space“ series. The center piece of his presentation will be a 6 meters wide triptych of his work “liquid time“.
The Moscow Biennale takes place at the Tretjakow Gallery in Moscow from 18 September 2017 - 18 January 2018.
Panel discussion on occasion of the exhibition “Planetary Echoes“
The panel discussion “Exploring the implications of human settlement in space“ was held on the 5th of May 2017 at Alfred Ehrhardt Foundation, Berlin.
Today the technology to reach nearby planets is possible. Even though many long-term technical challenges still need to be solved to support the creation of a permanent, selfsustaining human presence on another planet, imagining humans as a multi planetary species is not a mere fantasy anymore. Against this backdrop and on occasion of the exhibition “Planetary Echoes“ at Alfred Ehrhardt Stiftung, Berlin, the interdisciplinary panel discussion addressed the imagination of future habitats on other planets and moons in the arts, fiction and science at the beginning of the 21st century. It thereby attempted to interweave the discourse into the very fabric of society today, and aimed at connecting artistic research and the abstract theoretic sciences on an international level.
Nelly Ben Hayoun
Experience designer. Head of Nelly Ben Hayoun Studio, London
Embraces multidisciplinary approaches, resulting in unique subversive experiences.
Assembled the International Space Orchestra (ISO) - the world first orchestra of space scientists and astronauts at NASA. www.nellyben.com
Xavier de Kestelier
Head of Design Technology and Innovation at Hassell Studio, London
Works with the European Space Agency (ESA). Explores the possibilities of 3D printing to construct lunar and martian habitations. www.hassellstudio.com
Sir Tim Smit
Music producer, entrepreneur, archeologist. Director of Lost Gardens of Heligan,
chief executive and co-founder of the Eden Project, Cornwall. www.edenproject.com
Curator, writer, art director in the international mediation of contemporary cultural reflexivity beyond disciplinary boundaries. www.studiolukasfeireiss.com
24 April, 2017
Video trailer of the exhibition opening "Planetary Echoes“
19 April, 2017
Alfred Ehrhardt Foundation Berlin presents Michael´s new solo exhibition "Planetary Echoes“.
The Alfred Ehrhardt Foundation presents the solo exhibition “Planetary Echoes“ by Michael Najjar. The exhibition focusses on the idea of terraforming and future human settlements in space. Michael’s photo and video compositions suggest formal and thematic similarities between our own home planet and other moons and planets in the solar system. The various levels of similarity between terrestrial and extraterrestrial environments shown in the exhibition correspond perfectly with the focus of the Alfred Ehrhardt Foundation program. The cosmic laws postulated by Ehrhardt and his contemporaries, who were inspired by German Lebensphilosophie (a philosophical tendency rejecting rationalism and emphasizing human experience), identified congruencies between the microcosm and the macrocosm - a theme that echoes in the visionary dimensions of Michael’s new artworks mostly taken during a 3 weeks travel through Iceland in February 2017.
Opening: 21 April 2017, 7 - 9 pm
Alfred Ehrhardt Stiftung
Auguststr. 75 - 10117 Berlin - Germany
Exhibition dates: 22 April - 18 June 2017
Tue–Sun 11 am – 6 pm, Thurs 11 am – 9 pm
Special opening hours during Gallery Weekend:
28 April, 11 am - 21 pm
UK Business Traveller Magazine features “Space Suite“ on the cover
In its March 2017 edition UK based Business Traveller - the world leading magazine for frequent corporate traveller - features Michael Najjar´s “Space Suite“ on the cover. In October 2015 Michael Najjar unveiled the world´s first futuristic “Space Suite“ at the Kameha Grand Zurich, Switzerland. He has created a truly out-of-this-world experience - an entire futuristic space station housed in a new hotel building. The basic idea underpinning the Space Suite is to create an immersive environment which makes hotel guests - or crew members - feel like they’re living on an actual space station. The “Space Suite“ was created by Michale Najjar in 2015 for the Kameha Grand Zurich Hotel, nominated and shortlisted in 2016 for the European Hotel Design Award for the best new Hotel Suite in Europe.
Michael Najjar and his team have just returned from a three week photo- and video shooting in Iceland. The spectacular footage they shot forms the raw material for new artworks on terraforming and climate change. Terraforming is the process whereby a hostile environment, i.e. a planet that is too cold, too hot, or has an unbreathable atmosphere, is altered to make it suitable for human life. This could involve modifying its temperature, atmosphere, surface topography, and ecology. The artificial creation of a sustainable ecosystem on a lifeless planet like Mars is a fascinating vision that might one day guarantee our survival as a species.
The new artworks will be presented for the first time at the upcoming exhibition "Planetary Echoes" at the Alfred Ehrhardt Stiftung Berlin in April this year. In 1938 German photographer and filmmaker Alfred Ehrhardt undertook a two-month photo and film expedition across Iceland. This adventurous journey led him into untouched "primal landscape" shaped by glaciers and volcanoes, where he hoped to gain insights into the origins of the Earth. Accompanied by Dieter Jaufmann, Michael Najjar filmed and photographed many of the same locations that Alfred Ehrhardt visited almost a century ago. Ehrhardt’s goal of discovering the Earth´s origins is paired to the most existential question of the 21st century: saving the Earth’s future.
Production company: Pegasus Pictures, Reykjavik
Pegasus organisation: Bryn Birgisdóttir
Video camera operator: Dieter Jaufmann
Mountain guide: Stefan Mantler
Technical support: Hasselblad, DRS Berlin
12 January, 2017
Michael portrays future Mars robot „Valkyrie“ at Edinburgh Centre for Robotics
In December 2016 Michael visited Edinburgh Centre for Robotics to take pictures of „Valkyrie“, the next generation of human robots. Developed by NASA-JSC Valkyrie is one of the most advanced humanoid robots in the world. The robot was constructed in 2015 and delivered to the University of Edinburgh in Spring 2016 for further testing and research. According to NASA, we should see the first humans landing on Mars by 2033. Along this journey, the space agency is planning to send robots first to prepare the later landing of human astronauts. The idea behind this collaboration with the Edinburgh Center for Robotics is to extend the autonomy of these robots to send them, or their descendants, in hostile environments such as Mars. The UK research team is lead by Prof. Sethu Vijayakumar.
Weighing 125 kg and standing 1.8m tall, Valkyrie will enable breakthroughs in humanoid control, motion planning and perception. The robot could help the space agency with the colonization of Mars by helping to construct a habitat for future human space explorers. The delay of communication between the Earth and the Red Planet prevent humans to remotely control robots on Mars’ surface; robots that will be needed to build structures, habitats, do common work or even scientific tasks. This delay between these two planets, which can be from 3 to 21 minutes in a one-way transmission, basically removes the possibility of remote control. If the project is successful, Valkyrie could receive general instructions and choose how to organize work time and which tool to use to fulfill various instructions. Valkyrie is also equipped with a Multisense SL Camera and LIDAR array to track its surroundings easily. Advancements in artificial intelligence and faster computers will certainly help Valkyrie perform such tasks. Humans will certainly need robots to help discover and explore planets throughout our galaxy.
Michael takes pictures of Arianespace VA233 milestone mission
On 17 November 2016 at 10.06 am Ariane 5 VA233 blasted off into space from the Guiana Space Center (CSG) in French Guiana. With this milestone mission Arianespace placed four more satellites for the Galileo constellation in orbit.
Galileo, an iconic project for Europe, is a new civil global satellite navigation system. Under civilian control, it will offer a guaranteed, high-precision positioning service and will end Europe’s dependence on the American GPS system. The program is funded and owned by the European Union, with overall responsibility for management and implementation held by the European Commission. To date, 14 Galileo satellites have been orbited by Arianespace Soyuz launchers on seven missions from French Guiana. With the inaugural Ariane 5 launch, this number was increased to 18. When complete, the Galileo system will consist of 24 operational satellites, along with the ground infrastructure for the provision of positioning, navigation and timing services.
Michael wants to thank Arianespace for their great support and photo permission. Special thanks also to Hasselblad for the technical support which made it possible to portray this historic mission in a very unique way.