This blog keeps you updated on the ongoing "outer space" series
18 May, 2019
"intergalactic" exhibition at BNKR in Munich
On the occasion of the 50th anniversary of the Apollo 11 mission to the moon, the group exhibition Intergalactic deals with the artistic exploration of outer space. Outer space here lies at the centre of the creative and critical debate as a speculative projection surface for artists and visionaries alike. The inspiring range of exhibition contributions from all over the world includes such diverse media as photography, sculpture, installation and film. Intergalactic marks the end of the exhibition cycle curated by Lukas Feireiss, which since September 2018, under the title SPACE IS THE PLACE, has been dedicated to the artistic perception and appropriation of space and architecture in various exhibitions, a symposium and numerous public events. Taking into account theoretically as well as practically founded disciplines, a kind of artistic securing of evidence has been taking place through which the space surrounding us is opened up as an object of investigation in a variety of ways. Intergalactic takes the discussion to the final frontier: outer space.
Group exhibition with:
Nuotama Bodomo, Caroline Corbasson, Alicja Kwade, Nahum, Michael Najjar ,
Curated by Lukas Feireiss
Exhibition period: 24 May - 12 July 2019
Venue: BNKR, Ungererstrasse 158, 80805 München
12 April, 2019
SpaceX Falcon Heavy launch
From French Guiana I travelled directly to Florida / Cape Canaveral to photograph the first commercial launch of SpaceX´s Falcon Heavy rocket. The Falcon Heavy is 70 meters high, it´s a reusable heavy-lift launch vehicle and currently the most powerful rocket in the world. The successful liftoff was on 11 April. The 2 side boosters landed at Cape Canaveral 8 min. after liftoff and the main stage a bit later on a drone ship far away on the Atlantic ocean.
Foto: USAF / James Rainier
08 April, 2019
Shooting of Soyuz rocket launch in French Guiana
From 27 March to 5 May I returned to French Guiana for a photo shooting at the European spaceport CSG. Not only Ariane rockets are launched from there but also Russian Soyuz rockets. I was given the permssion to take pictures of the VS22 mission, which send 4 O3B satellites into space. I assited the assembly, the roll out and the launch of course. This time we installed one of my Hasselblad cameras directly on the launch tower, something that has been never tried before. The camera was only 80 meters away from the rocket during the launch. It was not clear if the camera will survive the heat and the pressure waves. However it worked and the result was an incredible spactacular launch picture which will become soon a new artwork within my "outer space" series.
I also took pictures at the construction site of the new launchpad for the the Ariane6. This will be the next generation of Europe´s space launch vehicles. The maiden fligfht of Ariane6 is scheduled for 2020.
Many thanks to Arianespace for the fantastic suspport !!
12 March, 2019
CIVILIZATION exhibition opened at the UCCA Beijing
Civilization: The Way We Live Now presents more than 250 works by over 120 of the world’s most renowned photographic artists, offering a complex and sprawling vision of contemporary life. The images gathered here, produced in the past 25 years, speak to the changes brought about by globalization, and draw attention both to the increasing amount of complexity and conflict, and to the unprecedented degree of interdependence, that characterize life today. They attest, as well, to the development of the medium of photography, and its ability to document these sweeping changes. Organized in collaboration between UCCA and the Foundation for the Exhibition of Photography, the Beijing presentation of Civilization is curated by William A. Ewing and Holly Roussell. Michael Najjar participates in the exhibition with several artworks from his acclaimed "outer space" series.
Civilization has been produced by the Foundation for the Exhibition of Photography (FEP), Minneapolis and Lausanne. After its first showing at the MMCA in Seoul in 2018, the current exhibition in China it will travel on to Australia, Europe and the Americas.
You can click the video button to see the installation video - which is spectacular.
Video: Courtesy UCCA Center for Contemporary Art, produced by Action Media.
Lecture at the European Space Research and Technology Center
In February 2019 Michael was invited to give a lecture at the European Space Research and Technology Center ESTEC in Noordwijk, The Netherlands. It is the European Space Agency's main technology development and test centre for spacecraft and space technology. At ESTEC, about 2500 engineers, technicians and scientists work hands-on with mission design, spacecraft and space technology. ESTEC provides extensive testing facilities to verify the proper operation of spacecraft, such as the Large Space Simulator (LSS), acoustic and electromagnetic testing bays, multi-axis vibration tables and the ESA Propulsion Laboratory (EPL). Prior to launch, almost all of the equipment that ESA launches is tested in some degree at ESTEC.
Michael recently portrayed the Large Space Simulator at ESTEC and was now given the opportunity to present his "outer space" project to an expert audience of world leading scientists and engineers.
A Bright Future - New Scientist magazine publicates the artwork "synlight"
In the 12/January 2019 edition the reknown UK magazine New Scientist publicates Michael´s artwork "synlight". The world’s biggest artificial sun has been blazing at the German Aerospace Center (DLR) in Jülich since 2017. Development of new production processes for solar fuels is the focus of this globally unique Synlight facility for solar research. It consists of 149 powerful Xenon short-arc lamps which scientists can concentrate on a target surface of 20 x 20 centimetres. If this surface is irradiated with beams of up to 350 kilowatts, a light intensity is produced equivalent to more than 10,000 times the solar radiation on the surface of the Earth. When the lamps are focussed they create temperatures of up to 3,000 degrees Celsius which researchers use to produce fuels such as hydrogen. Hydrogen is widely held to be the fuel of the future as it burns without giving off carbon dioxide. Production of hydrogen involves the splitting of the basic material, water, into its two components, hydrogen and oxygen.
The artwork “synlight” portrays the futuristic sun simulator at the German Aerospace Center. Hydrogen is a crucial basic material for spaceflight, and is used as fuel by rockets, spaceships and satellites. As there’s an abundance of water in space - asteroids, for instance, harbour plentiful reserves - in future solar energy could be used to produce the fuel directly in space. This facility with its 149 powerful short-arc lamps was photographed from three different perspectives on one linear axis. The triptych-based composition of the picture layers and fuses the three perspectives so as to exemplify the basic idea of the splitting of a water molecule into two hydrogen atoms and one oxygen atom. The background highlights the industrial research nature of the artificial sunlight facility and underscores its awesome dimensions. Development of solar fuels is essential not just for spaceflight alone but also for our own lives on Earth because in tomorrow’s world renewable energies will form the backbone of the global energy supply.
Michael Najjar has been a member of the Virgin Galactic Pioneer Astronaut team since 2012. After many years of development and testing, setbacks and progress, on the 13th December 2018 Spaceship VSS Unity at long last reached the border of space during a historic test flight. After many years of accompanying and supporting this project and undergoing numerous space training sessions in Germany, the US and Russia, Michael´s goal of becoming the first artist in space now is finally within reach.
Opening of the epic landmark exhibition „CIVILIZATION“ at Museum MCA, Seoul, South Korea
Michael with curator Bill Ewing in front of "orbital ascent"
The epic landmark exhibition "Civilization: The Way We Live Now" curated by prestigious curators William A. Ewing and Holly Roussel features over 300 photographic artworks depicting the status of the human society in the early 21st century. Not since Edward Steichen’s The Family of Man more than 60 years ago has a single exhibition tackled such a broad spectrum of human activity: habitation, transport, society, culture, art, science and technology, order and disorder.
Civilization has been produced by the National Museum of Modern and Contemporary Art, Seoul, and the Foundation for the Exhibition of Photography, Minneapolis and Lausanne. After its showing at the MMCA in Seoul it will travel on to China, Australia, Europe and the Americas. Among the first venues are the National Gallery of Victoria, Melbourne, Australia; Ullens Center for Contemporary Art, Beijing, China; and the National Museum of Civilization, Marseille, France.
Michael Najjar is featured in the exhibition with 3 artworks from his acclaimed "outer space" series.
Shooting at European Space Research and Technology Centre (ESTEC)
In August 2018 Michael visited the European Space Research and Technology Centre (ESTEC) in Noordwijk, the Netherlands. ESTEC is the European Space Agency's main technology development and test center for spacecraft and space technology. Michael was given the opportunity to take pictures from the HERTZ Chamber and the Large Space Simulator.
HERTZ is an anechoic chamber, screened against external electromagnetic radiation and their inside walls are covered with pyramid-shaped non-reflective foam to absorb signals and prevent unwanted reflections. HERTZ performs measurements on larger antennas or complete satellite payloads. Isolated from the outside world with radio- and sound-absorbing internal walls, the chamber simulates the boundless conditions of space. Its hybrid nature makes it unique: Hertz can assess radio signals from antennas either on a local ‘near-field’ basis or as if the signal has crossed thousands of kilometres of space, allowing it to serve all kinds of satellites and antenna systems.
The Large Space Simulator (LLS) is Europe's single largest vacuum chamber. It is a cylindrical container standing 15m high and 10m wide. The Simulator is used to test full-size spacecraft in representative space conditions. The Simulator's high-performance pumps can achieve a vacuum a billion times lower than standard sea level atmosphere, while liquid nitrogen circulated around the Simulator approximates the cryogenic temperatures of space. An array of powerful xenon lamps can reproduce the unfiltered sunlight encountered in Earth orbit, or turned up even higher to duplicate the energy intensity experienced closer to the Sun. Hardware can also be rotated in order to reproduce characteristic orbital motion as testing proceeds.
“orbital outpost” (2018)
Over the last century the technical futuristic vision of a manned space station became the apogee of all speculative thought on space and the privileged locus for all extra-terrestrial aspiration. The orbital station was the central element in the futuristic logic of expansion as the infrastructural prerequisite for human penetration of the endless depths of space.
The work “orbital outpost” deals with the realization of the space station utopia, and the relationship between technology, the human body and weightlessness. In space there is no oxygen, sound, nor atmospheric pressure, only darkness and an all-encompassing void. In zero gravity even the simplest repairs to the space station become complicated ventures. A highly complex technological support system enveloping the human body in multiple layers is critical for survival. "orbital outpost” fuses outside shots of a spacewalk from the International Space Station with images of earlier space stations including the American Skylab, the Russian Mir, Wernher von Braun’s vision, and the iconic space station from Stanley Kubrick’s famous film. The centre of the composition is the human body clad in its protective technological shell and in imminent danger of floating away, one hand just manages to grasp the handhold. Even though a permanently crewed outpost is now in orbit around the Earth, space still remains an inimical and deeply alien environment – which makes it an ideal realm for our imagination and a green screen for our musings on utopian worlds.